S.W.A.N.-The Story of Fallen Light and his Doom (2009 demo)

http://hotfile.com/dl/7722671/2de8c78/S.W.A.N.-The_Story_of_Fallen_Light_and_his_Doom__2009_demo_.rar.html

S.W.A.N. - The Story of Fallen Light and his Doom (june, 2009)
Genre=prog rock ///////mpr@256

Track List:

I.Search of God
1. Seek of God
2. Who the Fuck Are You - Mantra
3. Man
4. Sleepless
5. My Mind for a Mud
6. Catching Rainbows

II.Mankind
7. Atraction to Wounds
8. Breath of Death
9. Every New Day Brings New Shit

III.Dreams
10. Dream - You Said You'll Love Me
11. Why You Lied Me
12. Pale Pain
13. Whiskey Flamenco
14. Empty Bottle

IV.Anger
15. I'm Not Afraid - part 1
16. I'm Not Afraid - part 2
17. I'm Not Afraid - part 3

V.Drugs and Other Joys
18. Jonny Goes to PSY
19. Blood
20. Talkin' With Wolves (again)
21. Wolve's Belly Dance
22. Runing Through the Forest
23. Drums of the Ancient Frog Tribe

VI.Chaos
24. Entering the Chaos
25. Chaos
26. Depression

VII.Love and Death
27. Serya loves Sytr
28. Call of the Rain
29. Rain Blues
30. Bats
31. Lord of the Wind

+32. Out Sound

Album Lenght> 62:02

http://rapidshare.com/files/249284277/S.W.A.N.-The_Story_of_Fallen_Light_and_his_Doom__2009_demo_.rar

1. Seek of God

You've been told me so many times,
that you'll die one day...
...but...i don't care...

I'm satisfied that you'll have enough time to think over and over
for what wrong you've been done to me.

Metamorphosis…
Return the dreams to the mankind.
Bring sleep to the human.

The real trick in trading with devil
isn’t to find a way to do that,
to go on crossroads at midnight and stuff like that…
most important is… what you will trade
and what you will get

Don’t see, don’t look,
and don’t seek.
Just pick your eyes and you’ll find
everything in yourself.

Wonderful fulness of universe.

(rain and flow, voices of kids in background, thunders)

2. Who the Fuck Are You – Mantra

…every time you hear the sentence, one man is died…approximately.
How many of that men knows them self…their real holly self?

Repeating of the sentence can’t allow anything else to thing…cant allow nothing to thing…just to feel painful existence.

3. Man

(birds in background, jungle, nature, evolution, life)

There is no space for god in here.

(birds again)

If there’s something I hate more than bad lying is…amazing truth.
Man who has find himself once,
has nothing to lose in this world.

4. Sleepless

Branko speech (echo, room hall) : Опрај микрофоне...да...тамо...да седи...така го држа, еле...добро...ајде...ајде...добро...може... (piano hit)

(two guitars play slow song…missing rhythm and scales…slowly turns into disharmony…)

(sound of Nile river, hypos, Harpokraar)

5. My Mind for a Mud

Since I’ve passed the line of black and light,
and everything turns to grey,
my abandoned God steps aside my world…
but in chosen midnights
I was not scared to evoke her,
I was stoned by her incense…
Like that I’ve changed all my darkness for a bliss,
all my mind for a mud…
all my light for emptiness.

(hissing sound, guitar trebling, fall of whole step in sound)

6. Catching Rainbows

(hiss of mike, starts song with repeating two chords, first is minor, second modulated to 7 and 9 chord, hypnotic cymbal sound and dirty snare drum)


7. Attraction to Wounds

(garbage paper bags make hiss noise, park birds, ducks and little bluebirds, city park, near the traffic, far away train sound)

Love comes as a spring allergy.

In a real life: hobby: blow jobs, high performance as a prime queen.

In the movie: she counting mass of asteroids, third type, Cassandra.

Cheap makeup…Natural attraction to wounds…

In here: something that looks like mytocera (me to serve)
(ducks, male duck fight another for his copulating partner)


8. Breath of Death

(park Fontana)

Mankind…they chose to live near to volcanoes, the fire lines,
near to earthquakes …
They chose to live near the breath of Earth, near the danger…
They want to fool the breed of Death.

(duck call her young)

(classic music with solo oboe, bells, duck sounds…all stops suddenly, and the Fontana keeps noising, footsteps)

9. Every New Day Brings New Shit

(at the beginning clock second beat, just one clack, right after…battery case refill open)

(Song: extra filled bass sound, room drum set, slow strings, bells keeps song harmony, when drums stops song fade into airport hall sound)

10. Dream - You Said You'll Love Me

(airport sounds, airplane take landing)

Midtime dream:
Neon blue flowers, with red shapes,
making a bouquet with brown ribbon,
with golden ornaments,
ribbon…dry yellow strings..
neon blue flow…

Amber running, but I felt like B…

Song came awakening me…
Lyrics:
You said follow (you love me?)
and I do…
like in the dream,
you could die peacefully
on my arms…

(plane gets in the air)
(Happiness is a warm gun-Beatles cower…
first part: untuned fuzz guitar;
second part: funk piano, wacky, psychotic organ;
electric malfunction sound, something crushed;
third part: plane flying sound, humming strings, bad organ sound; high pitched grand piano, squeaks of wheels
fourth part: music goes on prime strings… fall leaves on the wind, cars, hits of garbage case, squeaks od wheels)

11. Why You Lied Me

(street sound, supermarket store hall noises, car horn, closing a big garage door)

Meet me at the station,
at 5 o clock…
And I go there…
Peoples, hundreds, thousands…
but…there wasn’t you…
why you lied me,
why you lied me?

(street sound continues, Song: trumpet plays with ethno drum and piano harmony, bass, some celebration for wedding, the band plays a practice…far away…sound fade…the viewer goes at home…turning on electric guitar…same electric malfunction sound as before)

12. Pale Pain

(bass constantly repeat one tune…snare drum, organ…anger…headache.. at the end all goes wrong )

13. Whiskey Flamenco

(drunk player tries to do some latin jazz improvisation tune, in the background humming of radiator, or some artificial heat, one whisp in the middle of the song, some papers burn in the fireplace )

14. Empty Bottle

(humming sound continues with deep bubbling)

Check for another whiskey bottle,
would you…
…behind the sofa..
empty bottle,
empty as I am…
15. I'm Not Afraid - part 1

(crushing, burning sounds)

(song: organ at the front, 4 chords progression, distorted guitar as a rhythm, drum, bass…at the end all gets dizzy)
(while the song is playing couple of times crush effect and young American crow screams for help)

16. I'm Not Afraid - part 2

(steel hit, young crow keeps screaming)
(clean electric guitar, loud bass, percussion bell impersonate the steel hit)

17. I'm Not Afraid - part 3

(Whip sound, loud, at the last time young crow screams, two hits finish him)
(extra loud bass makes tune more optimistic)

(crows, rain drops)

18. Jonny Goes to PSY

(funeral, taking acid)

19. Blood

(distorted electric organ)
(young birds in the nest)

20. Talkin' With Wolves (again)

(doors opens with squeek)

(strings, piano)

Great inspiration came,
when you have someone to talk to…
Talking with walls…(wolf howl)
Not wolves.. walls, walls… ( other voice: oh sorry)
Talking…talking…talking…
I’m not talking anymore…
I’m goin to drink a coffey…(with hall effect)

Hey guess what…I’m back.

(low vocal) Who the fuck are you?

I’m your pain in your six tuth.

(doors closes, piano ends)


21. Wolve's Belly Dance

(beast howls, ethno tune on sitar and strings in 5/8 rhythm)

22. Runing Through the Forest

(fast progressive metal sound, changing tune and rhythm)

23. Drums of the Ancient Frog Tribe

(drum solo, frogs)

24. Entering the Chaos

What have you done,
what have you done?!?!?

I can’t remember…
(whispering) I entered chaos….

25. Chaos

(lots of strange sounds, turkey, donkey, car sirens, beeps, animal sounds, clock bells…)
(Turkey sound impersonate wah wah guitar,there’s solo on jazz piano and solo for artificial trumpet, blue bird whistle impersonate trumpet)

26. Depression

(school yard, kids playin)
(Jazz guitar with echo solo)

27. Serya loves Sytr

(open air swimming pool, kids playing)
(two part song, first one with guitar solo that’s gonna be lost in tune, second with piano rhythm, flanged bass, fretless, song falls down whole step)

28. Call of the Rain

(ocean beach, waves…2 part song as a call for rain…seagulls between, other birds, second song ends with thunder, dog)

29. Rain Blues

(As the storm goes, blues on saloon piano, untuned, electric guitar with old hot tube effect, organ solo at the end, rain stops when organ plays)

30. Bats

(beast howl couple of times, bats hissing, stoned electric guitar and bad sounded drum)

31. Lord of the Wind

(bats his, waves, wind, organ improvisation, the high hissing sound of organ impersonated the wind, at the end fake cymbal sound)

32. Out Sound

(boat siren, on electric guitar, overdrive amplifier)

http://rapidshare.com/files/249284277/S.W.A.N.-The_Story_of_Fallen_Light_and_his_Doom__2009_demo_.rar

I am Macedonian

1. Greece are some land and culture before Roman Empire, that has nothing common with today's Greece, they just use the Hellenic culture as a tourist attraction.

2. In some ancient times Slavians comes to this laands, but in case with antic macedonians, they don't invide them, but take their culture, and asimilated to one people, still called Macedonians. In other countries may it be same assimilation, or in worst case, totaly occupatioon.

3. Alexander was not Greek, he clearly defined him self like his father as a Macedonian, not by theritory named Macedonia, but by ethnicity.

4. In 1913 the ethnic Macedonia was partet to 4 pieces, the larger gets Greece (called Aegeum Macedonia), the second one called Pirin's Macedonia, gets Bulgaria. The smalles gets Albania, and the part that today is Called Reppublic of Macedonia first goes to Kingdom of Serbs and Croats...this part gets his authonomy and became a part of Federation of Yugoslavia. Only this part of ethnic Macedonia, also called Vardar Macedonia, somehow survived somhow not to be genocited and to be erased by the imepial goverments like in Greece and Bulgaria. They was doing a strong propaganda and repressure to be erased ethnic awarnes of the Macedonians, they stoled the hystory, the culture, or even more, they modulated her to their needs, or distroyed her, protecting their gifted lands, and trying too keep it, in front of the eyes of world.

5. Macedonians in last one and a half century are trying to keep their identity, as Macedonians, to keep their country, and to fight for their rights and authonomy. Their language, their culture, their ethnicity is clearly different from the neighbours.

6. After all wars in Balcan, Macedonians clearly fight for their freedom, and for their authonomy. Also helped in every case for freedom in other nations, Spain, Serbia, even helped Greece to put dovn fashist goverment in WW2.

7. Today, Greece politic still want to erase macedonian enthity, as in past, when they do genocide, they even not allow to speak macedonian language in their occupied lands...Today Greece does everything to stop Macedonia in her growing and establishment, they put a veto in enterance of macedonia in NATO foe egz. That is unhuman and unfair, and everyone that accept greek loby will have to get the consencuences, whatever they are in future.

8. Macedonia has no theritorial pretensions for now, but if pressure goes up, it will fight in every way to return the pass, that's may looks like therorisme, or war, or unstability, but unjustice and this lying propaganda in front of the eyes of the United nations is iritating for Macedonians!

cage around the sun - monster magnet cower by AL-GBR-AL's Project S.W.A.N.

http://www.youtube.com/watch?v=ZOB2AEBGh2k

Tyburn Tall - Tyburn Tall (1972)

Personnel:

Werner Gallo - Guitar
Reinhard Magin - Keyboards, Vocals
Klaus Fresenius - Vocals
Stefan Kowa - Bass, Vocals
Hanns Dechant - Drums

Album:

same (Lutz Kern) 1972
Reissued on CD in 1994 featuring 2 bonus tracks, CD011, Garden Of Delights

Tyburn Tall was formed in 1969 in Speyer by Werner Gallo (g, born 1951), Hanns Dechant (dr, born 1948), Stefan Kowa (b, born 1950) and Gunther Göttsche (k, born 1954), all of whom made their musical experience playing in the beat band The Screamers since 1965, with the exception of Gunther Göttsche. Tyburn Tall planned to explore new musical paths by adding Gunther to their original line-up, thus switching from the 60s beat imitation (a-la the Stones and the Beatles) to their own unique mixture of rock, classical and jazz.

The band chose their name the same way the Grateful Dead did. They glanced through a history book discovering an English town called Tyburn. Legends tell of a tall tree in Tyburn on which, in the era of Oliver Cromwell, unwanted persons were hung. The band changed 'Tyburn tree' to Tyburn Tall for no other reason than because it just sounded better. In the spring of 1970, the band had their first big success in the Speyer area with their new show mainly consisting of self-written titles. In June, flute player Hermann Damiantschitsch, born in 1951, strengthened the band which, during the summer, finalised an instrumental piece in three movements called "Autagonia", a Greek word meaning "fight with yourself". It was written by the brilliant organ player Gunther Göttsche, son of the musical director of the regional church at the time, and Stefan Kowa who had had classical piano training, supported by the family tradition, as his mother and grandmother gave piano lessons and his grandfather was a violinist himself. In September 1970, "Autagonia" was premiered with huge success, also due to titles like Bach's Third Brandenburg concert which was made famous in the rock music world by Keith Emerson and The Nice, and themes from Dvorak's performance "Aus der Neuen Welt". A recording of this concert still exists and may be released on CD one day if the sound quality can be technically improved. Until May 1971, Tyburn Tall successfully toured supporting Golden Earring (in Speyer, Zweibrücken and Landau), Space Odetty (who changed to Frumpy later on) and Renaissance (in Landau and Ludwigshafen). At the end of May 1971, Göttsche and Damiantschitsch left the band for private reasons, and in June were replaced by Reinhard Magin (born 1948) on keyboards and singer/percussionist Klaus Fresenius (born 1952). Tyburn Tall went back to the rehearsal room revising their program towards a sound influenced more by jazz-rock elements than classical patterns and following idols like John Hiseman's Colosseum. First gigs in the beginning of 1972 proved that the band had not lost an inch of popularity with their new line-up. In the spring of 1972, they decided to record four self-written tracks for a new album in a small private recording studio in Bellheim in the Vorderpfalz under the name of Tyburn Tall. The gatefold sleeve shows the inside of a copper plate by Merian, deliberately including details, which Merian could not know of in his time. It is reproduced inside the CD reissue booklet. The album was released in a limited edition of privately manufactured 200 copies, half of which was destroyed in a fire in a music shop called Markus in Speyer. Rarity and artistic value are the reasons why this album is the most expensive collectors item in Germany, dealt for 5000 DM. Unfortunately, the master tapes are not available anymore. That's why for producing this CD, a mint copy of the album had to be recorded onto a DAT, and the sound - processed with Cedar's NoNoise system in studio Pfanz in Hamburg, thus eliminating all surface noise, so that master tape quality is achieved. The heavy tape noise could already be heard on the album and could only be partially eliminated. Additional tracks on this CD are "Lost Angeles" and "Bring Out Your Dead", both cover versions of Colosseum tracks.

In 1972, Pino Cirillo (g) replaced Werner Gallo who had to leave the band. Tyburn Tall split up in late 1975, when Stefan Kowa moved to Belgium for professional reasons. They had played 40 to 50 gigs since 1969, supporting, besides Golden Earring, Space Odetty and Renaissance, Amon Düül II, Frumpy, Taste, East of Eden, Ekseption, Kin Ping Meh, Nine Days Wonder, Bitch, Hardin & York, the Rainbows and the Petards, a.o. Again and again they proved to be as good as more well-known bands - at least newspaper reviews were full of praise.

Nowadays only Klaus Fresenius and Hanns Dechant remain musically active, playing in a local band called Blues und Bloedel. Stefan Kowa continues writing his own material in his home studio; the first CD is on its way. In time for their 25th anniversary, the band plans to gig once more, in the fall of 1995 in Speyer. Time and venue to be announced…

DOWNLOAD>>>

http://rapidshare.com/files/130223259/Tyburn_Tall_-_Tyburn_Tall__1972_.zip.html

AHKMED - ful discography (great Stoner Rock)

"What you'll witness on this record is out of this world. This must be the most innovative sound that the psychedelic stoner scene has heard for a long, long time. 7 great tracks in 36 minutes of high-flying psychedelic stoner rock, a goddamn bastard out of Hawkwind, Monster Magnet, Kyuss & Thumlock."

"Ahkmed set their controls for the heart of the sun. Pink Floyd meets Mudhoney. Moving to another astral plane. Relentless riffing that goes on forever. Close your eyes, take another toke and it all becomes clear. A definite experience. During the last song a bloke began dancing, jumped up on stage danced around and made a huge leap off it. He was in the moment."

"Imagine Hawkwind, in their cosmic, amphetamine-driven prime, joining forces with Isis, and you have a nearly dead-on description of their sound. Ahkmed’s songwriting is also more diverse than their classification would make them out to be. "Viceroy" sees the band successfully taking on a Fudge Tunnel-like tune, the most conventionally metal (though not by much) of the tracks. "Welcome Mat" finds them indulging in some Acid Mothers Temple spazz-outs. The fresh interpretation of a sound that some would already considered played-out makes Chicxulub worth it for any fan of heavy music."

Download>>>

Rapidshare
2002 - Adventures Involving Nudity [Ep]
2003 - The Wide Wheelin’ Feeling[Ep]
2003 - Ahkmed
2005 - In Your Neck of the Woods Dying[Ep]
2007 - Chicxulub : 1 / 2

Filefactory
2002 - Adventures Involving Nudity [Ep]
2003 - The Wide Wheelin’ Feeling[Ep]
2003 - Ahkmed
2005 - In Your Neck of the Woods Dying[Ep]
2007 - Chicxulub : 1 / 2

Depositfiles
2002 - Adventures Involving Nudity [Ep]
2003 - The Wide Wheelin’ Feeling[Ep]
2003 - Ahkmed
2005 - In Your Neck of the Woods Dying[Ep]
2007 - Chicxulub : 1 / 2

Uploaded To
2002 - Adventures Involving Nudity [Ep]
2003 - The Wide Wheelin’ Feeling[Ep]
2003 - Ahkmed
2005 - In Your Neck of the Woods Dying[Ep]
2007 - Chicxulub : 1 / 2

pass : bunalti.com

I Am Macedonian

I Am Macedonian

Naked City (1989) Torture Garden (John Zorn)

Torture Garden is a compilation album by John Zorn's band Naked City featuring Yamatsuka Eye on vocals. The album is a collection of "hardcore miniatures" from Naked City and Grand Guignol. Unlike other Naked City albums, there are no breaks between the screaming, the seemingly random saxophone blasts and grindcore. The album was originally released on Shimmy Disc in 1989. Following controversy over Naked City's album covers it was re-released in 1996 on Tzadik Records with Leng Tch'e simply as Black Box. The album was also released as part of Naked City: The Complete Studio Recordings in 2005.

The name for the collection comes from Le Jardin des supplices, an 1899 Decadent novel by Octave Mirbeau.

Track listing

1. "Blood Is Thin" - 1:00
2. "Demon Sanctuary" - 0:38
3. "Thrash Jazz Assassin" - 0:45
4. "Dead Spot" - 0:31
5. "Bonehead" - 0:51
6. "Speedball" - 0:17
7. "Blood Duster" - 0:13
8. "Pile Driver" - 0:33
9. "Shangkuan Ling-Feng" - 1:14
10. "Numbskull" - 0:29
11. "Perfume of a Critic's Burning Flesh" - 0:24
12. "Jazz Snob Eat Shit" - 0:24
13. "The Prestigitator" - 0:43
14. "No Reason To Believe" - 0:26
15. "Hellraiser" - 0:39
16. "Torture Garden" - 0:35
17. "Slan" - 0:23
18. "Hammerhead" - 0:08
19. "The Ways of Pain" - 0:31
20. "The Noose" - 0:10
21. "Sack of Shit" - 0:43
22. "Blunt Instrument" - 0:54
23. "Osaka Bondage" - 1:14
24. "Igneous Ejaculation" - 0:20
25. "Shallow Grave" - 0:40
26. "Ujaku" - 0:27
27. "Kaoru" - 0:50
28. "Dead Dread" - 0:45
29. "Billy Liar" 0:10
30. "Victims of Torture" - 0:23
31. "Speedfreaks" - 0:29
32. "New Jersey Scum Swamp" - 0:41
33. "S & M Sniper" - 0:14
34. "Pigfucker" - 0:234
35. "Cairo Chop Shop" - 0:23
36. "Fuck the Facts" - 0:11
37. "Obeah Man" - 0:17
38. "Facelifter" - 0:34
39. "N.Y. Flat Top Box" - 0:43
40. "Whiplash" - 0:19
41. "The Blade" - 0:36
42. "Gob of Spit" - 0:18

All compositions by John Zorn and Yamatsuka Eye

• Recorded in Brooklyn, New York City and Tokyo 1989-1990

Personnel

• John Zorn: alto saxophone, vocals
• Bill Frisell: guitar
• Wayne Horvitz: keyboards
• Fred Frith: bass
• Joey Baron: drums
• Yamatsuka Eye: vocals.

Download>>>

http://www.megaupload.com/?d=RHE3P4JH
http://rapidshare.com/files/131109750/Naked_City__1989__Torture_Garden.zip
~50MB @ 256kbps

Rory Gallagher - Live Paris 1971 (video)

Rory Gallagher (born Liam Rory Gallagher, 2nd March, 1948– died 14th June, 1995) was an Irishblues/rockguitarist. Born in Ballyshannon, County Donegal, Ireland, he grew up in Cork City in the south of the country. He is best known for his solo albums, and for his tenure in the band Taste during the late 60s. A multi-instrumentalist who gained a reputation as a gifted and charismatic live performer, Rory Gallagher's albums have sold in excess of 30 million copies worldwide.[1][2]

Career

Gallagher's first bands were showbands which played the popular hits of the day. In 1965 he turned The Impact into an R'n'B group which played gigs in Ireland and Spain. Having completed a musical apprenticeship in the showbands, and influenced by the increasing popularity of beat groups during the early 1960s, Gallagher formed Taste, a blues and R'n'B trio, in 1966. The group initially consisted of Gallagher and two Cork musicians, Norman Damery and Eric Kitteringham, but the line-up which gained fame was formed in 1967, featuring Gallagher on guitar and vocals, John Wilson (drums) and Richard McCracken (bass). Performing extensively in the United Kingdom, the group gained a reputation on the London rock scene. High profile performances included a residency at the Marquee Club, supporting Cream at their Royal Albert HallBlind Faith, on a US tour. Managed by Eddie Kennedy, the trio released the albums Taste and On The Boards, and made two live recordings, Live At Montreux and Live At The Isle Of Wight. The latter appeared long after the band's break-up, which occurred shortly after their appearance at the 1970 Isle of Wight Festival.[3] farewell concert, and supporting a major-blues supergroup,

After the break-up of Taste, Gallagher toured under his own name, hiring former Deep Joy bass player Gerry McAvoy to play on 'Rory Gallagher', an eponymous debut album. Thus began a twenty year musical relationship between Gallagher and McAvoy; Wilgar Campbell performed on drums.

The 1970s were Gallagher's most prolific period. He produced ten albums in that decade, including two live albums, Live In Europe and Irish Tour '74, which, for many, best captured his bands' raw and naturally dynamic qualities.[citation needed]. In 1972 he released the album Deuce, which is essentially three-piece R&B. Also in that year he was voted Melody Maker's Top Musician of the Year, ahead of Eric Clapton.[4]Live In Europe has been commercially successful not only in Ireland, but also internationally.

Gallagher played and recorded what he said was "in me all the time, and not just something I turn on ...". Though he sold over thirty million albums world wide, it was his marathon live performances that won him greatest acclaim.[3] His passion and skill for the blues is documented in the 1974 film Irish Tour '74, directed by Tony Palmer.

The line-up which included Rod De'Ath on drums and Lou Martin on keyboards, performed together between 1973 and 1978. Other release highlights from that period include Against the Grain, the jazz-tinged Calling Card album (assisted in production by Roger Glover (bassist with Deep Purple) and the hard blues-rock albums Photo Finish and Top Priority. Gerry McAvoy has stated that the Gallagher band performed several TV and radio shows across Europe, including Beat Club in Bremen and Old Grey Whistle Test.[5] Along with Little Feat and Roger McGuinn, Gallgher performed the first Rockpalast live concert at the Grugahalle, Essen, in 1977.[6]

A dedicated follower of blues music, Gallagher played with many of the genre's biggest stars, collaborating with Muddy Waters and Jerry Lee Lewis on their respective London Sessions in the mid 70s. Gallagher was also invited to try out with The Rolling Stones following the resignation of Mick Taylor and with Canned HeatDavid Coverdale's second choice (after Jeff Beck) to replace Richie Blackmore in Deep Purple. after the departure of The Eagle. He was

In the 1980s he continued recording, albeit at a slower pace, producing Jinx, Defender, and Fresh Evidence. These albums progressed towards a more mature blues style. After Fresh Evidence, he embarked on a successful tour of the United States.

Death

Headstone at St Oliver's Cemetery, Ballincollig

Gallagher's health and his ability to perform were increasingly compromised by excessive use of alcohol, combined with drugs that had been prescribed to alleviate his anxiety about flying.[citation needed] From the late 1980s, he suffered increasingly poor health, yet he continued touring. By the time of his final performance on 10 January 1995 in the Netherlands, he was visibly unwell. A liver transplant became necessary and was nearly successful, but just before being discharged from the hospital, an MRSA infection developed.[citation needed] His health quickly worsened and he died in London on 14 June 1995, leaving no wife or children.

Gallagher's final resting place is in St Oliver's Cemetery, on Model Farm Road just outside Ballincollig near Cork City, Ireland. His headstone is a replica of an award he received in 1972 for International Guitarist of The Year.

Legacy

In 2003, Wheels Within Wheels, a collection of acoustic tracks, was released posthumously by Gallagher's brother Donal Gallagher. Collaborators on this album included Bert Jansch, Martin Carthy, The Dubliners and Lonnie Donegan.

Many modern day musicians, including The Edge from U2, Slash of Velvet Revolver, Johnny Marr of the Smiths, Glenn Tipton of Judas Priest, Vivian Campbell of Def Leppard ,[7] and Brian May of Queen,[8] cite Gallagher as an inspiration in their formative musical years.[citat

Studio Albums

• Rory Gallagher - 1971 (BPI: 100,000)

• Deuce - 1971 (BPI: 100,000)

• Blueprint - 1973 (BPI: 100,000)

• Tattoo - 1973 (BPI: 100,000)

• Against the Grain - 1975 (BPI: 100,000)

• Calling Card - 1976 (BPI: 60,000)

• Photo-Finish - 1978 (BPI: 60,000)

• Top Priority - 1979 (BPI: 60,000)

• Jinx - 1982 (BPI: 60,000)

• Defender - 1987 (BPI: 60,000)

• Fresh Evidence - 1990 (BPI: 60,000)

• The G-Man Bootleg Series Vol.1 - 1992

• Let's Go To Work - 2001

• Meeting With The G-Man - 2003 (Bootleg-Release)

Live Albums

• Live In Europe - 1972 (BPI: 100,000)

• Irish Tour - 1974 (BPI: 100,000; Worldwide sales: +2,000,000)[10]

• Stage Struck - 1980 (BPI: 60,000)

• BBC Sessions - 1999

Compilations

• The Story So Far - 1974

• Sinner... and Saint - 1975 (previously from Rory Gallagher and Deuce)

• Take It Easy Baby - 1976

• The First And The Best - 1978

• A Blue Day For The Blues - 1995

• Last of the Independents - 1995

• Etched In Blue - 1998 (BPI: 60,000)

• Wheels Within Wheels - 2003

• Big Guns: The Very Best Of Rory Gallagher - 2005

• Live At Montreux - 2006

• The Essential - 2008

DVDs

• Irish Tour 1974 - 2000

• At Rockpalast - 2004

• The Complete Rockpalast Collection - 2005

• Songs & Stories: New York Remembers Rory Gallagher - 2005

• Live at Cork Opera House - 2006

• Live In Montreux - 2006

• Live at Rockpalast (5 Concerts 1976 - 1990) - 2007

• Featured on "Old Grey Whistle Test - The Best Of..." with the track "Hands off" - 1973

...................................................

With Taste

Albums

• In The Beginning - Emerald, 1968 (Released 1974)

• Taste - Polydor, 1969

• On The Boards - Polydor, 1970

• Live Taste - Polydor, 1971

• Live at the Isle of Wight - Polydor, 1972

DOWNLOAD>>>

http://rapidshare.com/files/139349623/RGPARIS.DVDRip.part1.rar

http://rapidshare.com/files/139361477/RGPARIS.DVDRip.part2.rar

http://rapidshare.com/files/139371568/RGPARIS.DVDRip.part3.rar

http://rapidshare.com/files/139375636/RGPARIS.DVDRip.part4.rar

password: pg

Negură Bunget -Om (2006)

Negură Bunget is a band from Timişoara, Romania that incorporates elements of black metal, progressive metal, folk metal and dark ambient. Biography Negură Bunget formed at the end of 1994, as a duo, with Hupogrammos Disciple on guitars, vocals, and keyboards, and Negru on drums. In 1997, Sol'Faur Spurcatu joined the group on guitar. Negură Bunget means "black foggy forest" in archaic Romanian. In a 2004 interview, Negru explained the symbolism of the name: Negură Bunget is a black fog coming from a deep dark dense forest. The name tries to picture somehow the kind of atmosphere, both musical and spiritual we'd want to create through our music. It has also an esoteric nature, standing for the inexpressible parts of our ideology. The two words are also from the Tracic substrate of the Romanian language (the oldest one, containing about 90 words) as the interest for our local history and spirituality is something of crucial importance and meanings for us as a band. After one demo, one album and one EP, three more full-length albums followed - Măiastru Sfetnic, 'N Crugu Bradului and OM. The success of Măiastru Sfetnic secured the band a three-album contact with the 'code666 record' label. Now reaching a wider audience, they began their first European tours. N Crugu Bradului included four songs spanning a total of nearly an hour. The album is ranked as one of the band's crowning achievements, receiving acclaimed reviews from the metal community and in international reviews in Chronicles of Chaos, Ablaze, Ablazine, Ledo and Eternity. The 4th Negură Bunget phase… the principles of 4 (four). The natural form of the Universe to manifest itself (the 4 seasons, the 4 phases of the moon, the 4 moments of the day, the 4 winds, the 4 cardinal points, the 4 elements…). The principle of 4 is a form that needs to be activated, through the consciousness (the awakening of the conscience) moving towards contemplation, standing for the initiation though mystery. In 2006 Negură Bunget released OM. The album has received attention in the extreme music press; for example, it was ranked as the second best album of 2006 by the writers of the British Terrorizer Magazine. Band members Dates refer to the times in which they played the respective instruments. Hupogrammos - guitars, vocals, bass, keyboards, archaic instruments (1994 - ) Negru - Drums, percussion, archaic instruments (1994 - ) Sol'Faur - guitars (1997 - ) Extended live line-up a'Ger - percussions, folk / archaic Instr. (2003 - ) Hydrail - bass (2007 - ) Inia Dinia - keyboards (2007 - ) Previous live members Ermit (Ursu) - bass (1999 - 2007) Naval (Vampir) - keyboards (1995 - 1997 & 1998 - 2005), bass (1997 - 1998 & 2007) Dorobantu - keyboards (1997 - 1998) Iedera - keyboards (September 2005 - February 2007) Necuratu (Vokodlok,Grimegod) - percussions (2002 - 2003) Aiwazz Vallach - keyboards (1995) Discography Albums Zîrnindu-să, 1996 Măiastru Sfetnic, 2000 'N Crugu Bradului, 2002 OM, 2006 OM is a concept album, released on October 20, 2006 by Negură Bunget. It was recorded in NeguraStudio and produced, mixed and mastered by the band itself. Track listing "Ceasuri rele" – 3:07 (Dark Hours) "Ţesarul de lumini" – 12:49 (Weaver of Lights) "Primul OM" – 4:22 (The First Human) "Cunoașterea tăcută" – 7:13 (Silent Knowledge) "Înarborat" – 6:22 ('Rooted) "Dedesuptul" – 6:39 (The Underneath) "Norilor" – 3:00 (Of the Clouds) "De Piatră" – 5:36 (Of Stone) "Cel din urmă vis" – 10:04 (The Last Dream) "Hora soarelui" – 5:56 (Sun's Dance) "Al doilea OM" – 2:04 (The Second Human) Download>>> http://rapidshare.com/files/142947311/Negura_Bunget-_Om__2006_.rar

The SWEET- Very Best Of

Studio albums

• Funny How Sweet Co-Co Can Be (1971)
• Sweet Fanny Adams (1974)
• Desolation Boulevard (1974)
• Give Us a Wink (1976)
• Off the Record (1977)
• Level Headed (1978)
• Cut Above The Rest (1979)
• Waters Edge (1980)
• Identity Crisis (1982)

Band member timelines

The Sweetshop/The Sweet (1968–1969)	Brian Connolly - lead vocals Frank Torpey - guitar Steve Priest - vocals, bass Mick Tucker - drums, percussion, backing vocals
The Sweet (1969–1970)	Brian Connolly - lead vocals Mick Stewart - guitar Steve Priest - vocals, bass Mick Tucker - drums, percussion, backing vocals
The Sweet/Sweet (1970–1977)	Brian Connolly - lead vocals, synthesizers (live performances) Andy Scott - vocals, guitar, synthesizers, cello Steve Priest - vocals, bass, harmonica Mick Tucker - drums, percussion, backing vocals
Sweet (1977-1979)	Brian Connolly - lead vocals, guitar, synthesizers Andy Scott - vocals, guitar, synthesizers, cello Steve Priest - vocals, bass, harmonica Mick Tucker - drums, percussion, backing vocals Guest musicians: Nico Ramsden - guitar (live performances) Gary Moberley - keyboards, synthesizers (live performances in 1978-79 and recording of "Cut Above The Rest" album)
Sweet (1979)	Andy Scott - vocals, guitar, synthesizers, cello Steve Priest - vocals, bass, harmonica Mick Tucker - drums, percussion, backing vocals Guest musicians: Ray McRiner - guitar (live performances) Gary Moberley - keyboards, synthesizers (live performances in 1979 and recording of "Cut Above The Rest" album)
Sweet (1980-1982)	Andy Scott - vocals, guitar, synthesizers, cello Steve Priest - vocals, bass, harmonica Mick Tucker - drums, percussion, backing vocals Guest musician: Gary Moberley - keyboards, synthesizers (live performances and recording of "Water's Edge" and "Identity Crisis" albums)
Sweet (1982–1985)	Band split
Sweet (1985–1988)	Paul Mario Day - lead vocals Andy Scott - vocals, guitar, synthesizers Mal McNulty - vocals, bass Mick Tucker - drums, percussion, backing vocals Phil Lanzon - keyboards, synthesizers, backing vocals
Sweet (1989–1991)	Mal McNulty - lead vocals Andy Scott - vocals, guitar, synthesizers Jeff Brown - vocals, bass Mick Tucker - drums, percussion, backing vocals Steve Mann - keyboards, synthesizers, backing vocals
Andy Scott's Sweet (1991-1994)	Mal McNulty - lead vocals Andy Scott - vocals, guitar, synthesizers Jeff Brown - vocals, bass Steve Mann - keyboards, synthesizers, guitar, backing vocals Bodo Schopf - drums, percussion
Andy Scott's Sweet (1994-1996)	Chad Brown - lead vocals Andy Scott - vocals, guitar, synthesizers Jeff Brown - vocals, bass Steve Mann - keyboards, synthesizers, guitar, backing vocals Bruce Bisland - drums, percussion
Andy Scott's Sweet (1997)	Chad Brown - lead vocals Andy Scott - vocals, guitar, synthesizers Jeff Brown - vocals, bass Steve Grant - keyboards, synthesizers, guitar, backing vocals Bruce Bisland - drums, percussion
Sweet (1997-2003)	Jeff Brown - lead vocals, bass Andy Scott - vocals, guitar, synthesizers Steve Grant - keyboards, synthesizers, guitar, backing vocals Bruce Bisland - drums, percussion
Sweet (2003-2005)	Tony Ohora - lead vocals, bass Andy Scott - vocals, guitar, synthesizers Steve Grant - keyboards, synthesizers, guitar, backing vocals Bruce Bisland - drums, percussion
Sweet (2006 - present)	Peter Lincoln - lead vocals, bass Andy Scott - vocals, guitar, synthesizers Steve Grant - keyboards, synthesizers, guitar, backing vocals Bruce Bisland - drums, percussion

Steve Priest's Sweet

Steve Priest's Sweet (2008–present)	Joe Retta - Lead vocals Steve Priest - bass, vocals Stuart Smith - lead guitar, vocals Stevie Stewart - keyboards, vocals Richie Onori - drums

New Sweet/Brian Connolly's Sweet

New Sweet (1984)	Brian Connolly - lead vocals Brian Rawson - guitar Geoff Roots - bass Phil Ridden - drums, percussion
New Sweet (1984-1985)	Brian Connolly - lead vocals Steve Turner - guitar Gary Farmer - bass Phil Ridden - drums, percussion
New Sweet (1987)	Brian Connolly - lead vocals Neale Haywood - guitar Steve Berry - bass Martin - drums
Brian Connolly's Sweet (1987-1992)	Brian Connolly - lead vocals Steve Turner - guitar Michael Williams - guitar Gary Farmer - bass Dave Farmer - drums, percussion
Brian Connolly's Sweet (1992-1994)	Brian Connolly - lead vocals Mel Johnson - guitar Bjorn Hurrel - bass Phil Ridden - drums, percussion Steve Mulvey - keyboards
Brian Connolly's Sweet (1994-1995)	Brian Connolly - lead vocals Glenn Williams - guitar Martin Cook - bass Drew Murphy - drums, percussion Steve Mulvey - keyboards
Brian Connolly's Sweet (1995-1997)	Brian Connolly - lead vocals Glenn Williams - guitar Dave Glover - bass Jeff King - drums, percussion Steve Mulvey - keyboards

Sweet (originally The Sweet) is a British rock band that rose to prominence as one of the main glam rock acts in the 1970s, with a line-up consisting of Andy Scott, Steve Priest, Brian Connolly and Mick Tucker.

The band achieved notable success in the UK charts, with thirteen Top 20 hits during the 1970s alone, five reaching #2 and one, Block Buster, reaching #1. Sweet's musical style followed a marked progression during 1971 and 1972, moving from the Archies-like bubblegum style of the first hit, Funny Funny, to a Who-influenced heavy rock style supplemented by a striking use of high-pitched backing vocals.

Sweet membership has undergone a number of changes, and during different periods Scott, Connolly and Priest also each formed their own "Sweet", resulting in the separate bands Andy Scott's Sweet, Brian Connolly's Sweet and Steve Priest's Sweet.

Connolly died in 1997, and Tucker in 2002.

Two "Sweet" bands, Sweet and Steve Priest's Sweet, are still in existence, the former including Scott.

DOWNLOAD>>>

http://rapidshare.com/files/179844136/The_Sweetwww.chilewarez.org.rar